Courtesy of Universal |
Bateman
reunites with Seth Gordon, his Horrible Bosses director, for this story about
Sandy Patterson, who gets his identity stolen because of his unisex name. Because
the movie takes place in a world where police force victims to catch their own
assailants, Sandy has a week to track down Diana (McCarthy) – with absolutely
no help from the authorities – before he loses his shot at a dream job that
will provide for his wife (Amanda Peet) and daughters.
Of
course, things don’t go as planned. Diana proves to be quite crafty, and the
two must also stay ahead of a crazed skip tracer (the always intriguing Robert
Patrick) and a pair of murderous gangsters (T.I. and Genesis Rodriguez) who teleported
in from a much different movie.
Most
people already know that Bateman is a tremendously gifted comedic actor. (If
you haven’t seen Arrested Development, add all three seasons to your Netflix
queue immediately.) However, fewer people know how great McCarthy is – or at
least they didn’t until a couple of years ago.
She
has been kicking around Hollywood for over a decade, turning in solid
supporting performances in both film and television. But most people became
familiar with the brilliant comedienne through her revelatory work in Bridesmaids,
which earned her a Best Supporting Actress nomination. Her work in Identity
Thief, which is already a massive hit, proves she’s no flash in the pan. We’re
going to be seeing her endearing face on movie posters for years to come.
It
is only through sheer force of will that Bateman and McCarthy are able to make
the movie funny. Neither plays a character the audience wants to root for.
Sandy is a pushover at his job, a doofus who kicks off the plot by giving a
total stranger his name, date of birth and social security number over the
phone. It’s tough to feel for someone who does that, particularly after another
character calls him a financial whiz just a couple of scenes later.
Diana
is even more problematic because she’s a terrible human being. Sandy
semi-jokingly calls her a sociopath at one point, but the label’s too accurate
to be funny. Craig Mazin’s screenplay provides her with a Planes, Trains &
Automobiles-esque sob story to justify her behavior, but it’s meaningless after
witnessing how much she has wrecked Sandy’s life. Gordon and Mazin make a
halfhearted attempt to acknowledge this in the closing minutes, but it still
feels like everyone’s way too happy after the events that have transpired.
Identity Thief is rated R for sexual content and language.
Grade:
C+
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