Courtesy of AMPAS |
In the week since the Oscar nominations were announced, I
remain mostly satisfied with this year’s field. I’m still puzzled about a few
names included and left off the list, but it’s an overall solid list that
spreads the love around. Mostly, I’m jazzed that The Wolf of Wall Street got
more love than I was expecting and Her found its way into a crowded Best
Picture field.
As always, I’ve got some catching up to do before March 2.
Until then, here are the nominees in some of the top categories, along with my
gut reactions and sure-to-be-wrong predictions. Seriously, awards season has
been particularly crazy this year; don’t even think about betting money on
these guesses.
Best Animated
Feature:
The Croods
Despicable Me 2
Ernest and Celestine
Frozen
The Wind Rises
Frozen
has this one in the bag unless voters decide to go the artsy route with The
Wind Rises (a possibility, considering it is revered animator Hayao Miyazaki’s
last film). It’s a return to form for Disney, the visuals are gorgeous, the
casting is inspired and the songs are wonderful. (“Let It Go” should also be a
shoo-in for Best Song unless the Academy has lost its collective mind.)
Best Supporting
Actor:
Barkhad Abdi, Captain Phillips
Bradley Cooper, American Hustle
Michael Fassbender, 12 Years a Slave
Jonah Hill, The Wolf of Wall Street
Jared Leto, Dallas Buyers Club
Michael Fassbender, 12 Years a Slave
Jonah Hill, The Wolf of Wall Street
Jared Leto, Dallas Buyers Club
The biggest surprise here is Hill, possibly stealing Hanks’
spot (for playing a delightful, albeit highly fictional, version of Walt Disney
in Saving Mr. Banks), though I won’t complain. His performance as Leonardo
DiCaprio’s twisted sidekick was vulgar, hilarious and representative of a world
with no morals. I’m also happy to see Abdi’s name, but – based on how awards
season has shaped up so far – Leto’s about to win his first Oscar.
Best Supporting
Actress:
Sally Hawkins, Blue Jasmine
Jennifer Lawrence, American Hustle
Lupita Nyong’o, 12 Years a Slave
Julia Roberts, August: Osage County
Lupita Nyong’o, 12 Years a Slave
Julia Roberts, August: Osage County
June Squibb, Nebraska
Lawrence’s inclusion was inevitable because the Academy
adores her (hey, they’re not completely bonkers) and American Hustle. The
most unexpected inclusion – for me, anyway – is Roberts, though her nomination
was always an outside possibility (especially since co-star Streep’s
showboating makes her look downright subtle in comparison). Still, Nyong’o is
likely to win for her devastating, brilliant work as the unfortunate slave who
becomes an obsession for her psychopathic captor.
Best Actor:
Christian Bale, American Hustle
Bruce Dern, Nebraska
Leonardo DiCaprio, The Wolf of Wall Street
Chiwetel Ejiofor, 12 Years a Slave
Matthew McConaughey, Dallas Buyers Club
Leonardo DiCaprio, The Wolf of Wall Street
Chiwetel Ejiofor, 12 Years a Slave
Matthew McConaughey, Dallas Buyers Club
I’m assuming Hanks’ exclusion here (despite his tense,
wrenching performance in Captain Phillips) is an unfortunate result of the
Academy’s American Hustle love. Bale is good as con man Irving Rosenfeld, but
there’s a reason Tina Fey jokingly called the film Explosion at the Wig
Factory at the Golden Globes. A couple of months ago, I would’ve declared
Ejiofor’s victory inevitable, but the momentum has shifted dramatically in
McConaughey’s direction. Plan on hearing the words “alright, alright, alright”
from the Oscar stage unless voters decide to treat the category as Dern’s lifetime
achievement award.
Best Actress:
Amy Adams, American Hustle
Cate Blanchett, Blue Jasmine
Sandra Bullock, Gravity
Sandra Bullock, Gravity
Judi Dench, Philomena
Meryl Streep, August: Osage County
I’m happy to see Adam’s name appear outside the Best
Supporting Actress category for the first time. I still can’t believe she remains
winless, but 2014 isn’t her year either (unless American Hustle fever truly
sweeps the evening). Streep only got nominated out of continued Academy
adoration, probably stealing the spot from a far more deserving Thompson, who
gave one of the best performances of her career in Saving Mr. Banks.
Nevertheless, Blanchett nabbed this one while Blue Jasmine was still on the
festival circuit.
Best Director:
David O. Russell, American Hustle
Alfonso Cuaron, Gravity
Alexander Payne, Nebraska
Steve McQueen, 12 Years a Slave
Alexander Payne, Nebraska
Steve McQueen, 12 Years a Slave
Martin Scorsese, The Wolf of Wall Street
Here’s where things start getting hazy. This has been one of
the closest awards seasons in years, and Best Director sometimes serves as a
consolation prize (especially if you’re poor Ang Lee). My gut tells me Cuaron
wins because of the astonishing technological innovation and sheer spectacle of Gravity, especially if 12 Years a Slave or American Hustle wins the Best
Picture race. However, I wouldn’t be at all shocked to hear either Russell or
McQueen’s name called instead.
Best Picture:
American
Hustle
Captain Phillips
Dallas Buyers Club
Captain Phillips
Dallas Buyers Club
Gravity
Her
Nebraska
Her
Nebraska
Philomena
12 Years a Slave
12 Years a Slave
The
Wolf of Wall Street
It’s
nice to see Her and The Wolf of Wall Street among the nominees, but there
are only three potential victors here: American Hustle, 12 Years a Slave
and Gravity. And, for the first time in recent memory, there’s a genuine
three-way tie right now. Granted, the momentum can shift over the next month or
so, but right now it’s anyone’s guess. It all depends on what kind of mood the
Academy’s in when ballots go out.
Do
they have history and their reputation in mind? If so, it’s 12 Years a Slave.
Or are they looking to reward the movie that provided the most fun? In that
case, I’d wager that American Hustle ekes out a win over Gravity. (Honestly,
I think winning Best Picture is the worst thing that could happen to American
Hustle in terms of its long-term reputation. Time isn’t going to be kind to
it. But the Academy has made that mistake many times before – look at the other
films nominated when Crash, Shakespeare in Love and Dances with Wolves
took home the top prize.)
Watch ABC on Sunday, March 2 at 8 p.m. to see how everything
pans out. Ellen DeGeneres, hosting for the second time, is a reliable choice. She’ll
do a fine job, but don’t look for anything resembling the biting satire that
Tina Fey and Amy Poehler recently served up at the Golden Globes.
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