Sean Crowell with a poster for his new doc Grounded |
“When
I first found out, I was shocked.” Crowell recalled. “Cultural attitudes on
marijuana have shifted dramatically in the last several years. But back then, I
thought they were bad people.”
However,
the truth was more complicated. The Dougherty brothers obviously knew that
transporting pot into the United States was illegal, but they refused to do the
job in a way that would hurt anyone.
“My
uncles refused to carry guns, and their bosses only hired clean-cut,
clear-headed people,” said Crowell. “They wouldn’t even use guys with tattoos.
And it turns out that I also knew a lot of them peripherally as a kid. I’d see
them at family barbeques sometimes.”
As
Crowell, a 1991 University of West Georgia graduate who works as a key grip in
the entertainment industry, dug up more details about the story, he knew he had
the material for a great movie – especially since his uncles were amiable
protagonists as opposed to murderous villains.
“I
learned that even back in the ’70s, marijuana was treated differently than
other illegal substances” he said. “Law enforcement officials usually thought
of those guys more like moonshiners than drug traffickers. But they still had
to punish people who were breaking the law.”
His
research resulted in Grounded, a documentary chronicling the exploits of
Terry and James Dougherty, as well as the law enforcement agents who eventually
caught them. Crowell knew he had a wealth of material just by interviewing his
uncles, but he didn’t want the story to feel one-sided. That’s why obtaining
the participation of Alabama Bureau of Investigation agent Jerry Ward and Drug
Enforcement Agent Jerry Schubel was crucial to the project’s success.
“I
was nervous about talking to them, but after a few weeks of phone conversations
they got more approachable,” said Crowell. “Of course, they eventually asked me
how I heard about the story.”
He
knew the question would come up at some point, so he decided from the start
that he needed to be honest.
“I
told them Terry and Jimmy were my uncles, and there was this long silence on
the other end of the line,” he recalled. “But they both agreed to move forward.”
Crowell
also learned that Ward and Schubel were good at their jobs because they did
their homework.
“When
we finally met in person to shoot their interviews, they handed me this manila folder
full of old documents and photos,” he said. “It was the case file on my uncles,
which was an important resource. We ended up using a lot of those pictures in
the movie.”
But
then one of the Jerrys held up another, considerably thinner, manila folder.
“They
told me it was their file on me,” he said. “Before agreeing to be in the documentary,
they had me checked out by every law enforcement agency in the country. My jaw
dropped for a second, then I told them it must’ve been the most boring file
they’d ever read. They said I was right. There was absolutely nothing on me.”
To
get a complete picture of the story’s climactic bust, Crowell had all the
participants recall that eventful night down to the smallest details they could
remember. Each interviewee mentioned different elements, creating an intricate
narrative once all the stories were edited together.
“I
didn’t want to go into the movie with an agenda,” Crowell said. “I just wanted
the story to be the story. The guys were smugglers, the cops were the cops and
everyone was just doing their jobs on all sides. I wanted everybody’s
perspective.”
Grounded recently completed an award-winning festival circuit run. It took home Best
Feature Film at the Pittsburgh Independent Film Festival and the Audience Award
at the Skyline Indie Film Fest in Winchester, Va. The documentary was also an
official selection to the Dixie Film Festival in Athens, Ga., and the Dances
With Films festival in Los Angeles.
The
documentary is available for download now at www.groundedthemovie.com. Distribution
deals with on-demand services and iTunes are on the horizon as well. Perhaps
most exciting of all, considering the Elmore Leonard-esque characters involved
in the story, is Crowell’s interest in adapting the documentary into a dramatic
feature. He’s currently in the early stages of the development process.
In
the meantime, Crowell is staying busy with his day job, working on television
shows including HBO’s Silicon Valley and Getting On, and the upcoming films Godzilla and Wish I Was Here. He’s also prepping his next documentary
feature, focusing on documented immigrants serving in the military.
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