Courtesy of AMPAS |
Best Animated
Feature:
Brave
Frankenweenie
ParaNorman
The Pirates! Band of Misfits
Wreck-It Ralph
Brave
Frankenweenie
ParaNorman
The Pirates! Band of Misfits
Wreck-It Ralph
The Pirates! surprised a lot of people who were expecting Rise of the Guardians to appear in this category, but the academy usually
throws in an out-of-left-field title. Disney’s got to be elated with the
results – three of the nominees are theirs. I’m guessing the race is between Brave and Wreck-It Ralph, both of which are quality films. I’d be fine with
either winning, but my sentimental pick is Brave. I’ve probably seen it 100
times now thanks to my two-year-old daughter.
Best Supporting
Actor:
Alan Arkin, Argo
Robert De Niro, Silver Linings Playbook
Philip Seymour Hoffman, The Master
Tommy Lee Jones, Lincoln
Christoph Waltz, Django Unchained
Philip Seymour Hoffman, The Master
Tommy Lee Jones, Lincoln
Christoph Waltz, Django Unchained
The supporting categories are usually where Oscar shakes up
expectations a bit. General consensus has Jones as the frontrunner for his
fiery performance in Lincoln, but the category is packed with phenomenal
actors. That includes Arkin, who surprised everyone a few years ago by winning
in this category for Little Miss Sunshine when most thought Eddie Murphy was
a lock for his career-topping work in Dreamgirls. I’d love to see Waltz take
home the prize for delivering the best performance in a film full of them. I
think Jones still has a slight edge, but I honestly wouldn’t be shocked to see
any of these guys win.
Best Supporting
Actress:
Amy Adams, The Master
Sally Field, Lincoln
Anne Hathaway, Les Miserables
Helen Hunt, The Sessions
Anne Hathaway, Les Miserables
Helen Hunt, The Sessions
Jacki Weaver, Silver Linings Playbook
Barring one of the most stunning upsets in Oscar history,
Hathaway’s had this one in the bag for months. Even critics who hate Les
Miserables say she’s amazing in it. Still, anything could happen. I’ve heard chatter
suggesting Field has a lot of support for her work as Lincoln’s long-suffering
wife. As long shots go, she’s the most likely to make Hathaway throw on her
best “it’s an honor just to be nominated” face in the Dolby Theatre next month.
Best Actor:
Bradley Cooper, Silver Linings Playbook
Daniel Day-Lewis, Lincoln
Hugh Jackman, Les Miserables
Hugh Jackman, Les Miserables
Joaquin Phoenix, The Master
Denzel Washington, Flight
Denzel Washington, Flight
Day-Lewis is the other big lock of the evening. Every actor in this category has gotten rave reviews over the last few months (and deservedly so), but the two-time Oscar winner’s performance is on an entirely different level. He completely immerses himself in the character, turning one of America’s most mythical figures into an actual person with hopes, fears and emotions. I’d say the only person with a miniscule shot at an upset is Washington. For some reason, a subset of academy voters love them some Flight.
Best Actress:
Jessica Chastain, Zero Dark Thirty
Jennifer Lawrence, Silver Linings Playbook
Emmanuelle Riva, Amour
Quvenzhane Wallis, Beasts of the Southern Wild
Naomi Watts, The Impossible
Naomi Watts, The Impossible
Although the academy broke a couple of records with this category – Riva (at 85) and Wallis (at 9) are now officially the oldest and youngest Best Actress nominees in Oscar history – it’s probably a two-way race. For most of the fall, Chastain and Lawrence have been trading frontrunner status. Both deliver blistering performances: Chastain is incredibly focused and understated, while Lawrence is fierce and ostentatious. Voters tend to frown on subtlety, which would point to Lawrence emerging victorious. However, the academy also appreciates how contenders play the campaign game, which is Chastain’s strong suit. I’ll wager a guess that Lawrence wins since Silver Linings Playbook has nominees in all four acting categories. That’s a lot of academy love.
Best Director:
Michael Haneke, Amour
Ang Lee, Life of Pi
David O. Russell, Silver Linings Playbook
Steven Spielberg, Lincoln
Steven Spielberg, Lincoln
Benh Zeitlin, Beasts of the Southern Wild
Here’s where things get hazy. This category provided the biggest
gasps when nominations were announced. Ben Affleck and Kathryn Bigelow, who
helmed presumed Best Picture favorites Argo and Zero Dark Thirty, failed to
hear their names called. Instead, academy members went with surprise nominees
Haneke and Zeitlin, dramatically reshaping the playing field for several
categories. For the first time in years, I’m legitimately stumped on two of the
evening’s biggest prizes. I’m taking a complete shot in the dark, but I’d say
it’s now between Spielberg and Russell, simply because they directed the films
with the most overall nominations and the most nominations in the creative
categories, respectively. If that’s the case, I hope it’s Spielberg since his
is the better movie.
Best Picture:
Amour
Amour
Argo
Beasts of the Southern Wild
Django Unchained
Les Miserables
Life of Pi
Lincoln
Silver Linings Playbook
Zero Dark Thirty
Beasts of the Southern Wild
Django Unchained
Les Miserables
Life of Pi
Lincoln
Silver Linings Playbook
Zero Dark Thirty
Before
last Thursday I would’ve told you this race was between Argo and Zero Dark
Thirty. I’d love to see either of those win, but history tells us it ain’t
happening. Whether it’s true or not, the general consensus is that the real
contenders can be found by eliminating any flick without a Best Director
nomination. My gut tells me Amour and Beasts are in the “making the cut is
the win” group. That leaves Lincoln, Pi, and Playbook. I could provide a
reason why any of these could emerge on top, but I’ll narrow it down to Lincoln and Playbook for the reasons listed previously. If voters are in a
historical mood, Spielberg gets his second-ever Best Picture win. If they go
with most entertaining, the cast and crew of Playbook are going to have a
good night. I loved both flicks, so I’m fine either way.
Watch ABC on Sunday, Feb. 24 at 8 p.m. to see who wins. Seth
MacFarlane (Family Guy, Ted) is an interesting choice for host. We’ll see
if he can walk the razor-thin line between honoring Hollywood’s most revered
tradition and letting some air out of the overinflated egos in the room. He’s
got his work cut out for him after Tina Fey and Amy Poehler made hosting look
effortless during last Sunday’s Golden Globes.
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