REVIEW: Oz the Great and Powerful


Courtesy of Disney

I had a blast watching Oz the Great and Powerful, director Sam Raimi’s prequel to, or reimagining of (whatever you want to call it), L. Frank Baum’s beloved stories. That’s saying a lot, considering I was never a big fan of the 1939 classic The Wizard of Oz as a kid. (Sacrilege, I know. I need to revisit the film since I haven’t seen it in 20 years or more.)

However, the love Raimi (who helmed the first three Spider-Man entries) has for the source material is both palpable and contagious. Every scene is packed with clever references, both obvious and hidden, playing on viewers’ nostalgia and strengthening this new installment. I’m actually a little jealous of the kids whose first experience in a theater will involve this movie.

James Franco plays Oscar Diggs, a shady magician who makes his living in a run-down circus. He travels across the Midwest, ripping off customers and breaking young women’s hearts. That changes when a twister transports him from Kansas to the magical Land of Oz

Almost immediately, he runs into the beautiful witch Theodora (Mila Kunis), who informs him that he fulfills the prophecy regarding Oz’s new ruler. This entitles him to adoration and riches galore, which fuels his egotistical nature. Of course, it’s not that simple. To claim the throne, Oscar has to defeat the Wicked Witch who has brought fear and destruction to the land.

But who is the real evil – Evanora (Rachel Weisz) or Glinda (Michelle Williams)? To save Oz, he must figure out which side is the right one. Luckily, he’s got a couple of friends to help him out, including a flying monkey named Finley (Zach Braff) and a beautiful-yet-fragile China doll (Joey King).

Sadly, the screenplay by Mitchell Kapner and David Lindsay-Abaire is a bit thin. Considering the somewhat simple plot, the movie is about 20-30 minutes too long. Fortunately, the performances keep things entertaining. Franco successfully conveys Oscar’s transformation from sleazebag to hero, making the journey simultaneously frustrating and funny.

Kunis’ displays a wide range of emotions as her character evolves from wide-eyed innocent to heartbroken cynic. Weisz shows off a devilish mean streak and the striking Williams exhibits an innate goodness that left me floored. I wish she would appear in mainstream films more frequently so bigger audiences could discover her talent.

Raimi also strengthens the lightweight story with some astounding visuals. I rarely recommend paying the extra money for 3D, but it’s a must here. The director understands that the format is essentially a gimmick anyway, so he treats it as such. Spears, flying baboons and hummingbirds leap from the screen, and viewers are treated to an exciting trip down a raging river and a lovely snowfall.

I don’t see Oz the Great and Powerful becoming as significant to pop culture as the Judy Garland version, but it’s certainly the most entertaining movie currently in theaters. As such, it’s probably going to make obscene amounts of money. 

Oz the Great and Powerful is rated PG for sequences of action and scary images, and brief mild language.

Grade: B+

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