Courtesy of Warner Bros. |
Shane
Black is one of my favorite filmmakers, mostly because of his gift for witty
dialogue and a remarkable ability to use the audience’s knowledge of movie
tropes against them. He’s best known for writing Lethal Weapon – one of the all-time
great action movies – but my personal favorite is Kiss Kiss Bang Bang.
Black’s
convoluted 2005 directorial debut is endlessly hilarious (multiple viewings are
required to catch all the jokes) and it marked the first step in Robert Downey
Jr.’s legendary comeback. In fact, his performance convinced Marvel that he’d
be the perfect guy to play Tony Stark. (It’s no coincidence that Black and
Downey reunited for Iron Man 3.)
His
latest, The Nice Guys (which was partially shot in Atlanta), isn’t quite as
strong as KKBB, but it is another private detective yarn with the same
mischievous sense of humor, narrative complexity and inclination for sudden,
shocking violence. In other words, I loved every second of it.
In
1970s Los Angeles, a bumbling investigator (Ryan Gosling) must team up with the
hired enforcer (Russell Crowe) who recently roughed him up in order to solve a
mystery involving a missing girl, a dead porn star and corruption in the auto
industry. As with most of Black’s stories, the plot – as complicated as it is –
ultimately doesn’t matter as much as the rapid-fire banter between the entertaining
leads.
Gosling
and Crowe have incredibly chemistry, and it’s great to see both of them lighten
up a bit compared to their previous roles. Gosling is always more interesting
when he plays oddballs or losers instead of the smoldering leading man. Crowe’s
performance proves Black is a miracle worker.
Before The Nice Guys, I doubt you would’ve ever seen the words “Russell Crowe” and
“funny” in the same sentence. Sure, his stone-faced brute is essentially the
straight man to Gosling’s wacky P.I., but his befuddled reactions and
understated observations are equally hilarious.
However,
the film’s scene-stealing MVP is Angourie Rice, the 15-year-old relative
newcomer who plays Gosling’s fiercely intelligent daughter. As the film’s moral
center, she more than holds her own against her more experienced co-stars, and
her scenes with each of them are both funny and touching. I’ve got a feeling
we’ll be seeing a lot more of her in the years to come.
As
I was leaving the press screening earlier this week, I overheard plenty of
raves from the critic seats and more than a few puzzled reactions from the rest
of the crowd. That’s probably not a scientific analysis of what to expect this
weekend, but it makes perfect sense for a Shane Black movie.
It’s
one of my favorite movies of the year so far, but I get that it’s probably not
for everyone. At the very least it’s an original summer movie; we don’t get
many of those anymore.
The Nice Guys is rated R for violence, sexuality, nudity, language and brief drug use.
Grade:
A-
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